Article : Straining to Praise- When Congregational Songs Get Out of Reach
I like this article! Dan Grassi wrote a rather lengthy but very true aspect of how worship leaders choose songs for today’s worship service. How we cope with the different changes of key/notes, especially if they hit the high range. I also like the fact that he pointed out that there are many Christian Artistes that has produced worship albums, and that could be another reason why songs are written or played in a key that the congregation can’t sing.
I personally love Israel Houghton’s songs. But his range in his music arrangements (for Lakewood & Israel & New Breed) are often super super high! So how do we cope with it. Check out Dan’s article below. :) ….. Read On …..
Vocalists carry a tremendous responsibility in the world of church music. Whether you are formally trained in voice or not, professional or volunteer, a children’s choir director, a worship leader, choir or ensemble singer, vocalists feel the weight of this humbling task of leading God’s people in worship-its rewards and challenges.
If this describes you, then you are in good company. We believe, among many things, that having a good voice is preferable for those in our occupation. Also a strong, clear, musically sensitive voice is worth its weight in gold. We continually strive for a “sound” as a worship ensemble that maintains a solid, clean vocal presence. It’s the engine that keeps the worship experience moving in our churches and the glue that sticks a melody in our congregation’s ear.
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Article : Raising the Younger Worship Band
I can’t agree with this article more! How many of you include your young people into your main worship teams/bands?
If you had the choice of having enough resources on your main worship team, would you include the youth band or team with your main? Or would the youth play for their service and the main service have a separate set.
The first week of May saw the “debut” of the Youth Band in the GT Worship Main Service. In fact they took all the three services from Sat to Sun.
I trully believe in raising up the next generation and feel that they have a lot to contribute and to give. Though skills and experience may differ from a the main church worship team, but they too have their own niche.
I believe more important was their hearts of worship. Their passion to serve, their ability to give their talents to God. And it was an amazing blessing that weekend to both the band and the church.
They were totally dedicated and committed to the task, and how many of u remember not being able to sleep, cos u were gonna playing the guitar for service the next day? Remember those first few times?
Article : Worship Band Rehearsal
This is an excellent article by Jimi Williams on WHAT NOT TO DO in a Worship Band Rehearsal!! Its funny, and almost scarry too cos some points sound so true in what we do at worship practise!!
I like Point2 … Introduce 5 New Songs!
hehe. Well I’ve not got the guts to teach 5 new songs in a church service before, but perhaps two new songs and two not so familiar songs! And yeah… that didn’t really work out too well!
I am facing a wee bit similiar problem with Point5. Late worship team members! U have them? What do u do? Any given formula for success to share with us?
I am sure you will be blest with Jimi’s practical insight into Worship Rehearsal, read on!
Hillsong - Taking Revival to the World [article]
Australia’s largest and most influential church extends its reach to London, Paris, and Kiev.
A member of the Assemblies of God denomination, Hillsong has burgeoning church plants in London, Paris, and Kiev, Ukraine. It has also been holding services in Moscow and Berlin. Hillsong’s reputation alone is enough to generate huge interest. In London, a Saturday night service and three Sunday services are necessary to accommodate the 7,000 in attendance.
Hillsong is perhaps best known for its music. Its famous worship pastor, Darlene Zschech, wrote the song “Shout to the Lord.” It is estimated that 25 million Christians sing that song each week worldwide.
Since the 1990s, Hillsong has released about 50 praise and worship recordings. Hillsong United, its youth ministry and band, has sold recordings by the millions in the American market. Hillsong United began its recent North American tour in Nashville, at the worship service of the Gospel Music Association’s music week.
Last fall in London, 3,000 people gathered at the Excel Center for the first-ever Hillsong Conference Europe. On the first night, the crowd hushed and then broke into applause as the lights went off and words appeared on the video screens at the front: “The church is not peripheral to the world; the world is peripheral to the church. The church is Christ’s body in which he speaks and acts and fills everything with his presence.”
Applause broke out again as the music began. A lone guitarist stood in the spotlight. Beside the stage, Zschech stood drinking coffee, bouncing up and down in her heels. Hillsong’s senior pastor, Brian Houston, stood front and center watching the screens flicker footage of a welcome from Sydney, Australia, to Paris, where a drummer played in front of the Eiffel Tower, to the slums of India to a crusade of thousands in Brazil to a choir in Toronto singing the Hillsong chorus “How Great Is Our God.”
This event was a Hillsong-branded depiction of the Great Commission and a moving visual picture of their self-proclaimed mission: “To reach and influence the world by building a large Bible-based church, changing mindsets, and empowering people to lead and impact every sphere of life.” And it means “every sphere”—from church growth to politics to revival to social action to personal healing.
Hard to classify
In the summer of 1983, Houston and his wife, Bobbie, began a new congregation in northwest Sydney with about 45 members from Sydney Christian Life Center, the urban church that Houston’s father, Frank, started in the mid-1970s. In a textbook example of how to build a megachurch, they increased its attendance 20-fold in less than five years. In 2000, the two congregations were merged and renamed Hillsong.
Marian Edeborg has been a member of Hillsong for 16 years, first in Australia and now in London. A member of the worship team, Marian remembers one of the first Hillsong conferences, which have been held regularly in the church and Sydney school halls starting in 1986. A logistical nightmare, the conference had to be split into different venues. She remembers standing in the cold school hall, waiting to practice their music.
“Brian and Bobbie wanted to build something excellent that reflected God in a beautiful way. Even before it was big and glamorous, it was never just about Hillsong, but about everyone else,” she told CT.
Houston, a tall man with piercing blue eyes, has the stereotypical Australian easy-going, “no-worries” manner. He seems to engender a culture of change.
Houston tells his staff: “If your own life is growing, you don’t have to be threatened.”
He makes sure his life is growing by spending either Friday or Saturday of each week alone in prayer and devotion, and by going for short drives on his Harley-Davidson. Houston’s concept of a healthy church comes from Psalm 92:13: “Those who are planted in the house of the Lord shall flourish.”
“It’s the will of God for people to be able to flourish in our environment,” Houston says. “So the question for every pastor is: Can people flourish under your ministry? If they can’t flourish, why should they stay planted?”
And flourish Hillsong has. In fact, because it is so unusual in its size and range of ministries, religion scholars have had a hard time classifying it. It does not fit neatly into what some scholars call the first and second waves of the global Pentecostal-charismatic movement—denominational Pentecostalism and the independent charismatic movement.
Houston is president of the Assemblies of God in Australia (AGA), but he’s remarked that the denomination does little to shape Hillsong Church. His congregation is roughly 10 times the size of the AGA biennial gathering. Hillsong is distinct from traditional Pentecostalism, which has historically focused on speaking in tongues, charismatic expression, revivals, and being “baptized in the Holy Spirit.”
Since Hillsong began in the 1980s, it cannot be included in the second-wave charismatic movement either, which took shape in the 1960s. Second-wave charismatics typically are independent and cross denominational boundaries with relative ease. Most significantly, the second wave touched mainline Protestant and Roman Catholic churches. Second-wave charismatic teaching puts significant emphasis on the “in-filling of the Holy Spirit,” the expression of spiritual gifts, and end-times teaching. It is more socioeconomically diverse than classic Pentecostalism.
In the 1980s, church growth professor C. Peter Wagner wrote The Third Wave of the Holy Spirit, describing what many now call the third-wave or neo-charismatic movement. Examples would include the Vineyard association, founded by the late John Wimber, and megachurches like Hillsong. They emphasize the ongoing work of the Holy Spirit in individual believers and holistic mission, and many (but not all) leaders de-emphasize expressions of historic Pentecostalism, such as speaking in tongues and being “slain in the Spirit.”
‘The Hillsong Factor’
Hillsong’s influence, however you classify it, has grown beyond the religious sphere. It is politically influential enough in Australia that during election season, commentators talk about the “Hillsong factor.”
Hillsong members have found common cause with Australia’s conservative politicians. In 2002, John Howard, the conservative (Liberal Party) prime minister of Australia, opened Hillsong’s convention center. The church has held discussions on national issues, and certain political groups worry that Christian conservatives are using the Hillsong organization and numbers for political purposes.
This fall, Australia will hold national elections. Leading Australian politicians Peter Costello and Bob Carr have made pre-election visits to Hillsong. To some critics, such visits are evidence of lobbying within the church, and with 20,000-plus members in one congregation, Hillsong has a significant amount of ballot-box power.
Senior pastor Houston denies that Hillsong has a partisan agenda. He sees a difference between a church being involved in politics and individual Christians being involved.
“There is a fear of what we represent, anti-this and anti-that; if you’re pro certain agendas, you’re going to see the growth of the church as a threat,” says Houston. “In our own country, agendas are impure, and it’s much more to do with what you and I represent, with what they would feel is the growing of fundamentalism and what that threatens.”
‘Getting to Give’
Another controversial aspect of Hillsong’s ministry has been some of its teaching and practices. Mainstream Australian news media and Christian counter-cult groups consider Hillsong part of the manipulative health-and-wealth movement. As Hillsong’s global profile has grown exponentially, its critics have also grown in number and intensity.
The U.S.-based anti-cult website RickRoss.com hosts a forum with critiques of Hillsong teaching. Australian Baptist, Anglican, and Roman Catholic leaders have all accused Hillsong of promoting harmful prosperity teaching.
In January, The Briefing, an influential evangelical publication in Australia, published articles on Hillsong, faulting its lack of emphasis on classic Christian doctrines. It said systematic exposition of Scripture was “virtually absent” from Hillsong’s conference teaching. One columnist called for evangelicals to boycott Hillsong recordings in order to reduce the church’s income and influence.
This summer, more criticism appeared in the book People in Glass Houses, in which social worker Tanya Levin wrote about her childhood at Hillsong. Levin labeled Hillsong leaders fundamentalists and said they are preoccupied with money. “It’s a corporate organization being run by corporately trained people to achieve economic outcomes. Economic outcomes are the new measure of spiritual success and sign of blessing.”
Australian academic Shane Jack Clifton of Australian Catholic University is one of the few religion scholars to study Hillsong, Australian Pentecostals, and charismatics. In his doctoral dissertation, Clifton said that the rapid growth of the AGA has resulted in a greater emphasis on financial wealth, church-growth methods, and the “theology of blessing.”
Clifton points to Houston’s 1999 book, You Need More Money: Discovering God’s Amazing Financial Plan for Your Life, as one example of Hillsong’s “getting-to-give” teaching that the church’s critics have been disparaging for years.
But Hillsong says that, contra its critics, it teaches a balanced view of prosperity, a view common in Pentecostal circles. For example, another AGA leader, Steve Penny of Kings Christian Church, has elaborated on the concept of biblical blessing. In his dissertation, Clifton quotes Penny saying, “Prosperity is not an option, but a mandate and responsibility to all who believe in the authority of the name of Jesus. … The essential core of the Christian life is sharing. Prosperity has very little meaning if it does not include the ability to bless others.”
This perspective on blessings is evident in the famous Hillsong sound bite, “Blessed to be a blessing.” Leaders teach that Christian discipleship and social engagement with the poor are essential aspects of ministry.
In his opening message for the Hillsong Conference Europe, Houston put it this way: “Jesus embraces the poor. He doesn’t embrace their poverty. If we don’t have a revelation that God wants to build our lives, we’ll never be able to build others’. If you have nothing, you can do nothing.”
Clifton said Houston now shies away from using the word “prosperity,” replacing it with the idea that faithful Christians should “flourish” in all aspects of life.
Houston has been very quick to deal with some accusations. In 2004 the Sydney Morning Herald reported, “Houston tackles criticism with the same gusto he applied to allegations that his father, Frank, had abused a child in New Zealand 30 years ago. He confronted his father, removed him from active ministry at Hillsong, and then told his congregation.”
Revival where you are
Traditionally, Pentecostals have viewed revival as a church-based and church-organized event, and said that the fervor of believers must be maintained by great expenditures of time and talent from the local church leadership.
Hillsong leaders, on the other hand, teach that it is the responsibility of individual Christian disciples to take revival into the world. “The rivers of living water are in you, so revival is where you are,” said one of the pastors. This may be one reason Hillsong’s influence is spreading internationally.
Houston says, “For my father’s generation, [revival] had more to do with being in the front of the church. For me, it’s much more to do with what we’re called to do. The Spirit is upon me to reach hurting people. I really believe that the church needs to be focused out.”
Several years ago, Houston created the Hillsong Network and launched it using the corps of loyal church leaders who attend the annual Hillsong conference in Sydney, Hillsong’s signature event. Its mission is “to champion the cause of the local church.” Houston says, “The bigger picture is to build a healthy model for church that people feel like they can grab hold of.”
The network is designed to produce resources for church leaders. Local church leaders have the opportunity to attend “network intensives,” which are courses with titles like “Five-Star Church Intensive,” “Worship,” and “Kids’ Ministry.”
Houston desires to build the local church, rather than to replace it. “If I tell church leaders I’m here for them, but build a Hillsong Church next door, what am I really saying?”
In the U.K., Brian Wallis, who has been an evangelical pastor for 25 years, is a good example of the kind of church leader attracted to Hillsong. His current congregation in Hampshire, England, has 50 members.
Attending Hillsong’s first conference in the U.K., Wallis speculates on the reasons for Hillsong’s growth. He looks for things that might be useful to him.
“They make a big effort to be welcoming, user-friendly, and community-orientated,” Wallis told CT. “Society is so insular that this type of community draws people. Hillsong is very sophisticated. I have to understand that I can’t hit that in my church. We don’t have the talent or the budget, but I can learn from the principles.”
The God factor
Hillsong London has doubled in size every 12 months for the past four years. That’s due in part to word-of-mouth marketing, quality music, and upbeat services.
“Obviously, the God factor is big,” Houston adds good-naturedly with a smile. He also believes that people attend the church in such great numbers because “they are genuinely being helped.” And there is no question that thousands are helped.
Take Christine Caine, overseer of the Hillsong Network and the community action and evangelism stream. Caine grew up poor, living with her second-generation migrant Greek family in government housing before it was cool to be Greek, before My Big Fat Greek Wedding, she says. Men abused Caine for years when she was a child. She later discovered she was adopted. Although she’s only five-foot, four-inches, Caine has a commanding presence, and when she’s speaking, she fills the space, whether in an interview room or on a stage in front of thousands, where she walks confidently around the platform.
Caine is articulate and at times brash, not afraid to be honest, not afraid to make people uncomfortable. “You can almost hear them squirm,” she says, referring to people listening to her testimony, “because finally someone has put words to their experience.
“I grew up with a lot of reasons not to make it. When I got saved, I got saved. I had to work through rejection and shame and hurt, but I was personally transformed.”
People often say to her, “I can’t believe how healed you are.” Her reply: “Isn’t that what Jesus does? It’s the gospel.”
In her words: “My proclamation flies on the wings of my life, my wholeness.” Part of Hillsong Church for 18 years, she said sitting under healthy biblical teaching and being part of a loving, faith-filled community helped her overcome an abusive past.
“This generation doesn’t believe in truth,” she says. “They need to see Christians radically believing and living out their beliefs in their day-to-day lives.”
Hillsong’s members start within their own communities. Hillsong City Care (formerly Hillsong Emerge) works to reduce unemployment, crime, and abuse of drugs and alcohol. Hillsong helps people launch small businesses. Raelene was trying to provide for her three children alone, and Rachel, an experienced architect, wanted a career change. Both Raelene and Rachel were unemployed. Hillsong helped them to start a fashion business, Redfern, connecting them with professional designers.
Redfern has since coordinated numerous successful fashion events and has won $15,000 from the Social Ventures Australia “Big Boost” awards. They continue to expand their product line. Such individuals benefit from Hillsong’s social initiatives and, Houston believes, attend Hillsong as a result.
The Hillsong Foundation includes many different outreach initiatives, including some that focus on eradicating poverty in developing nations like Rwanda and Uganda. Hillsong is the largest single sponsor of Compassion International children, with more than 3,000 supported. Hillsong also works closely with Samaritan’s Purse, Watoto in Uganda, and Joyce Meyer Ministries.
Working with Compassion has become personal for Darlene and Mark Zschech, who visited Rwanda for the first time in April 2004. They were overwhelmed by the great needs they saw. As they prepared to fly out of Rwanda, Mark Zschech heard a question resound in his mind: “What are you going to do about it?”
It was a difficult question, one that would change them. “It just breaks you,” Darlene says softly when speaking of her time in Rwanda. Out of that experience came the idea for Hope Rwanda, which includes education and building programs, among other projects, and the sponsoring of 1,000 Rwandan children. Beginning in April 2006, it lasted for 100 days—the same length of time as the 1994 genocide.
“For the rest of our lives, we’ll be in Rwanda,” Darlene says. “I don’t want to be involved in anything that’s not about that.” The renowned worship leader speaks of caring for the poor as worship. Loving people in a practical way. “People don’t want to let me serve anymore,” she says. “I tell them I need to.”
Most of Hillsong Conference Europe is focused around helping the poor. On the first evening, 40 minutes into the conference, Gary Clarke, senior pastor of Hillsong London, belabors the offering. The next day, while waiting for the train to the Excel Center, conference attendees complain about the ten or fifteen minutes spent on raising the offering. They may or may not forgive him. But the money will go toward providing clean water to a village in Uganda.
Bobbie Houston, co-pastor with her husband, Brian, remarks that the purpose of the conference “is not to feed our ego. It’s about empowering you to go home and be amazing.” And the message is clear: Being amazing at home entails an outward focus on others.
Houston believes the goal is for the “church to reach beyond its own walls, help the poor, and start making a serious difference.” Caine wants to make sure people understand that “helping the poor is not the latest Hillsong fad.” It is an essential part of the gospel.
The Young Europeans
Garreth Symmonds is a 17-year-old attending Hillsong Conference Europe with his father, David. It was Garreth’s idea to attend the conference. He’s also hoping to attend Hillsong’s International Leadership College in Sydney when he finishes high school.
His father approves. “He’s converted me,” David says. “I now have Hillsong and Delirious? on my iPod and run to them at the gym.” The two attend the contemporary worship service at their small Anglican church. As with many churches, the Symmonds’ church has an earlier, traditional service and a later, contemporary one that caters to a younger crowd. “Where I used to enjoy the hymns, I now find some of them a bit drab,” David remarks.
Joel Edwards, general director of the Evangelical Alliance U.K., speaks about the new cultural realities facing the European church. “Europe is a continent in search of its soul,” he says. “If Christians pretend that we live in a Christian continent, we make a gross mistake in terms of how we do missions. But if we recognize that Europe is a continent in search of itself, then the church is in an excellent position, and we’ll begin to do missions and church in ways increasingly relevant to the culture around us.”
In Edwards’s view, Hillsong is succeeding in terms of its relevance to the European cultural landscape.
“I think it’s an exciting model of church that is attempting to be both a professional and a contemporary community in the 21st century. I’m increasingly grateful that Hillsong is beginning to look outward.”
Most Hillsong London members are next gen—young professionals who have recently made a Christian commitment. I spoke with Christian Fontana, who stood at the door of the Excel Center wearing a red Hillsong T-shirt to show he was part of the welcoming team.
Christian has been attending Hillsong London for two months. An aspiring musician, he had been working at an investment bank when a girl with whom he worked invited him to Hillsong.
“I was lost,” he says. “I was spiritually aware even though my family wasn’t religious at all. I was always searching but nothing was fulfilling.” Christian says he was attracted to the people at Hillsong. “I had never met such warm, friendly people in all of my life.” When he stepped into the Dominion Theater and the service started, he burst into tears. He understood that the things he was afraid to let go of—drugs, women, friends who weren’t really friends—were just “chains around my legs.” Christian began attending a mid-week study where he could ask questions and get connected. He has since quit his job at the bank to pursue music. “I have an album out that I’m promoting,” he says, giving the CT reporter his card, “but back to God. …”
Hillsong Church is taking its music and message out of the church and into the lives of those in need.
No, the Sunday services at the Dominion Theater in London are not Queen’s musical, but the people attending might leave singing to the world: “We will rock you.”
Cassandra Zinchini is finishing postgraduate work at the University of London and teaching at Geneva College.
Interview with Tim Hughes (composer of Here I Am to Worship)
The renowned worship artist explains how “Here I Am to Worship” changed his life, and how he hopes Holding Nothing Back will shake up worship apathy.
How has your life changed since “Here I Am to Worship” went huge?
Tim Hughes: It’s been a crazy and wonderful journey. Life has definitely become a lot more full and busy. I think one of the key things it has done is to allow me to step out in what I’m passionate about, leading worship and writing songs for the church.
One of the main things I do now is to lead a school of worship called “Worship Central.” The vision is to train and equip worship leaders and musicians to be a blessing to the local church. We run training days, retreats, a website, as well as other resources. It’s been amazing, and “Here I Am to Worship” has definitely paved the way.
Is there a downside to writing a worldwide smash?
Hughes: Perhaps the only struggle at times has been getting caught up in trying to replicate the success of the song. You can put a pressure on yourself and feel disappointed when other songs don’t match “Here I Am to Worship.” However, I now feel happy with the fact that different songs are used in different ways.
I had an e-mail from someone who went through a major brain operation; it was very much touch and go. All through the ordeal he said a couple of lines from another of my songs were running through his mind giving him strength, hope and courage. For me that’s amazingly encouraging. My role is to be a worshipper, writing songs out of the overflow of my heart. As long as I continually push myself to be the best songwriter I can be, then how the song is used is up to God.
On Holding Nothing Back, you went for a louder, more rocking approach. Why?
Hughes: It captured both lyrically and musically the place I’m in. Worship is about surrender, holding nothing back and giving our all in response to the One who gave his everything for us. These are the days to be daring, exuberant and passionate; these are not times for half-hearted, apathetic worship. In the way I lead worship and in the songs I’ve been writing, I’ve been trying to push myself—to be more honest, raw and authentic in my response to our great God.
Musically I was keen to push things out as well. Going into the project I had what I called the three E’s—I wanted the record to be edgy, epic and emotive. So every arrangement, every vocal, every guitar part, we were trying to push it to the max. I hope that passion is captured in the album.
You’ve expressed frustration at worshippers who simply go through the motions. What’s the cause for apathetic expressions of praise?
Hughes: I wonder if partly in the West we have so much that we don’t need God as much. I mean we’ve got our nice houses, great careers, flashy cars, exotic vacations and designer clothes. These in themselves aren’t necessarily wrong, but if we’re not careful it can dull our passion for Christ. Often when I find myself becoming apathetic, I realize it’s because I’m relying on myself, rather than throwing myself on the mercy of God. Nothing fuels worship more than realizing the wonder of our Almighty God and recognizing our total need for him. When we recognize God for who he is, we can’t help but respond wholeheartedly.
What can worship leaders do to shake up apathy?
Hughes: I think we need to step out and lead with our hearts on our sleeves—to model true worship in the lives that we lead and in the songs that we sing. The great evangelist John Wesley was once asked to explain his secret. He simply said, “Every morning I wake up and set myself on fire for Jesus, and then I go out and people watch me burn.” Imagine that—thousands of worship leaders burning with zeal for Christ. That would certainly shake things up!
Song: Here I Am To Worship
Listen MP3 - Click Here
Chords - Click Here
Lyrics below.
Verse 1
Light of the world
You steped down into darkness
Open my eyes let me see
Beauty that make this heart adore You
Hope of a life spent with You
Chorus
Here I am to worship
Here I am to bow down
Here I am to say that
You’re my God
You’re altogether lovely
Altogether worthy
Altogether wonderful to me
Verse 2
King of all days
O so highly exalted
Glorious in heaven above
Humbly You came to the earth
You created
All for love’s sake became poor
Bridge
I’ll never know how much it cost
Too see my sins upon that Cross
Read the Review of Here I Am To Worship
To The Worshipper by Reuben Morgan
So I wonder what springs to mind for you when you think of “worship”?
To Worshippers… Allow me to preface this message to you with the comment that what I have prepared for you today is a few thoughts that have come out of my own life’s journey of seeking to understand worship and desiring to know God. I am not coming to you as someone who is qualified with all the answers on worship, just someone with a big heart!
I know that for me, straight away I think of our own church home and I can see a crowd of people before me with their hands raised and singing to God- that’s my context for church worship- it’s loud and it’s passionate and it’s about people who really love God!
When I think of worship though, I also think of the songs of the Vineyard movement that were so much a part of forming my worship to God when I was first saved. I don’t know if you would remember songs like “Refiners Fire” and “Awesome God” and “Purify My Heart”- they were like gold to me! I remember sitting in my room just sensing God’s presence so strongly as I listened to these songs on cassette- they taught me about God and managed to somehow draw worship out of me even when it was as though I didn’t know what I was doing.
This year, my family and I had an incredible opportunity to visit Papua New Guinea with a team from our church. I grew up in Papua New Guinea- which for those of you who don’t know is a country that’s positioned at the top of Australia near Malaysia- it’s a very hot country with a huge proportion of the population living in tribal situations. The actual worship meetings that we were a part of were incredible- there were up to 100,000 people just dancing and singing before God! I can remember just looking out from the stage and seeing dust just rising everywhere as these people so freely worshipped God even when many of their situations are so poor and needy in so many ways.
On the Sunday that we were in PNG, my wife and I went to a little family church up in the hills- we drove for about an hour on these bumpy roads to get there and finally arrived… dripping with sweat cause there’s no air conditioning and it’s just so hot! The actual church was just a concrete floor and their were no walls, just a couple of wooden benches to sit on. The worship in this church was lead by some men playing their guitars (it was very raw!) who didn’t stand out the front of the church but played on the front row. The church was full of dark skinned beautiful people who sang in harmonies to God with their eyes closed and their hands raised. When I got up to play a song, again just me and my guitar, they kept wanting just “one more song”- hungry for God and longing to worship Him.
Worship is described as: “The activity of glorifying God in His presence with our voices and hearts”.
A. W. Tozer said that “we are saved to worship God”.
John Stott said “Worship is the highest and most noblest activity of which man, by the grace of God, is capable”.
I want us to look today at a couple of things that I believe are fundamental to our worship- I’ll begin by saying that at the heart of our worship is God Himself. There is a quote by Martin Luther that captures the essence of what I want to share with you today and it is this: “To know God is to worship Him”. For us to truly worship God, two fundamental elements are needed: 1) Revelation- whereby God reveals himself to us and 2) Response- whereby we respond freely and uninhibitedly to God in awe and wonder.
1) Revelation
God makes Himself known to us in a number of ways- our worship will depend on our revelation of God. Our revelation of God is our understanding of who He is and how great God is- it’s the knowledge of God or by definition “theology”. And when we know God, we know how He wants to be worshipped.
I have a little boy who’s name is Jones Berlin- he is 16 months old and my greatest hero! When he was born, I remember feeling so disappointed in the fact that he just couldn’t communicate with us- he would cry and cry and we had no idea what the matter was! We would chat with him and make jokes, but he just didn’t get it! But now that we have had over a year together and Jones is learning to talk, he manages to communicate so much and he understands so much of what we say to him.
The strange thing I find about my son is that the more time I spend with him, the more need I have to spend time with him and the more time I have for him, the more love I seem to find in my heart for him. I am getting to know him. And whilst I don’t worship my son (!!!), my revelation of Jones has come out of my understanding of who he is and how great he is… it’s caused me to understand him and what he loves and needs and the person that he is.
So what are the ways that God makes Himself known/ reveals Himself to us?
I. Firstly, through His works in creation.
Psalm 19: 1 “The heavens declare the glory of God; the skies proclaim the works of his hands”
Have you ever looked an overwhelmingly huge mountain or the raging seas or a sunset that leaves you speechless and thought “how could anyone say that there isn’t a God in Heaven?” I have heard a story of a guy who was out surfing in the ocean and the sun was going down- he was so amazed by the beauty of what he saw around him that something inside of him said there just has to be more… it was out of this experience that he found himself in church and became a Christian and is serving in church today.
C.S. Lewis said: “The book of nature has three leaves- heaven, earth and the sea- of which heaven is the first and most glorious and by it’s aid we are able to see the beauties of the other two. He who begins to read creation by studying the stars begins the book at the right place.”
Take time out to look at creation- take a walk, go away for the weekend or find some incredible view that could only cause you to be amazed by God. God reveals Himself to us through His creation.
II. Secondly, God reveals Himself to us through the written Word/ the Bible
Psalm 19:7 “The law of the Lord is perfect, reviving the soul. The statutes of the Lord are trustworthy, making wise the simple.”
God’s Word is whole- it is complete and it is perfect. The Bible is more than someone’s comment on what God has to say, it is what God has to say! There is no substitute for the Word of God- it brings freedom, joy and liberty.
Statistics say that 30% of the world’s population have had virtually no exposure to the gospel message- that’s approximately 2 billion people that have not heard the gospel.
The Word of God is precious.
Augustine of Hippo said “The Holy Scriptures are our letters from home”.
Emile Caillet said “The Bible is not only a book which I can understand, it is a book which understands me.”
Billy Graham said “The Bible easily qualifies as the only book in which is God’s revelation.”
Let me put out the challenge to us today- what will you do with the Bible- the book in which you’ll find God’s revelation? Do you even value and prioritize God’s word enough that you would spend time reading it?
Of the world’s 7,291 languages, just under half (3,572) have either/ all Bible portions… you and not only have heard the gospel but we have the Bible in our own languages- God will reveal Himself to us through His Word when we open it and read it and value and devour it!
III. Thirdly, God reveals Himself to us through Jesus Christ
John 1:18 “No one has ever seen God, but God the One and Only, who is at the Father’s side, has made Him known.”
When Jesus died on the cross, He made a way for you and I to know God. The result of the cross was a revolution in itself from what the people of Old Testament times formerly knew of God- it was a revolution in both religious experience and theological understanding.
John 15 tells us that we can know a relation with Christ that is “intimate and organic” (5)- where Jesus says ‘Make your home in me just as I do in you” (4).
The Message Bible puts it like this:
“The Word became flesh and blood,
and moved into the neighborhood.
We saw the glory with our own eyes,
the one-of-a-kind glory,
like Father, like Son,
Generous inside and out,
true from start to finish. -Jn1:14
IV. Finally, God reveals Himself to us through the Holy Spirit
Jn 16:13 “But when he, the spirit of Truth, comes, he will guide you into all truth. He will not speak on his own; he will speak only what he hears, and he will tell you what is yet to come.”
Dwight L. Moody said “There is not a better evangelist in the world than the Holy Spirit.”
“THe Holy Spirit is not a blessing from God, He is God”. -Colin Urquhart
The Word used for ‘Spirit’ in John is described like the wind, being invisible, immaterial, and powerful. In John chapter 16, the personality of the Holy Spirit is emphasized with the Spirit being referred to as ‘His’. The Holy Spirit was connected with the birth of Jesus, His life, His baptism, His death, His operations in the world, in the church, His operations in us and in the local church. Jesus is active today in us and through us- it is called the work of the Holy Spirit.
Eugene Peterson writes: “Spirit is the scriptural word for God sharing his life in our lives. It means that God is not an anonymous somebody “out there” or an idea explained in a book, but a living presence whom I experience in the life I live day by day. God gives himself to me. I receive God into myself. Spirit is God’s gift of Himself in my experience.”
Romans 8:11 in the Message says: “When God lives and breathes in you (and he does, as surely as he did in Jesus), you are delivered from the dead life. With his Spirit living in you, your body will be as alive as Christ’s!”
2) Response
The second fundamental aspect of worship after Revelation is Response. Our awe- stricken response to God… Martin Luther insisted that worship is the essential symptom or expression of knowing God.
Like any living relationship, our response to God must be real and true and in keeping with who we are. As children we are taught what an appropriate response is for various situations such as saying “thank you” or referring to an adult as “Mr or Mrs so and so” or not whining when we don’t get what we want. In a similar way, the Bible teaches us what are appropriate ways in which to respond to God. If however, when I married my wife (the woman that I am passionate about), I filled our relationship with the “right” responses and nothing that came from my heart/ gut, we would end up with a pretty shallow kind of relationship!
Responding to God- worshipping Him- can only come out of knowing Him and having had Him revealed to us. I love my wife and am able to tell her the reason why I love her when I know her and am in a daily relationship with her. Our response to God is an overflow from our heart that loves Him for who He is and what He has done.
“God is not moved or impressed with our worship until our hearts are moved and impressed by Him” - Kelly Sparks
The Bible tells us that God alone is to be worshipped (Ex 20:1-3). He is to be served with our whole being (Dt 6:5, 10:27)- the very nature of God is overwhelming in all that He is… it demands everything of us of to join in worship to our creator! The two most important words for worship in the New Testament have the combined meaning of service or worship- the implication is that Christian Worship and service are essentially one.
The Bible tells us that David danced before the Lord. The people sang songs of praise to God as see through out the Psalms. In the New Testament, a costly jar of perfume was broken over Jesus feet in worship of the Lord. Paul worshipped Christ with a life well spent.
The overflow of a heart that is in love with Jesus Christ is worship- worship that involves every part of who we are… worship that sings and shouts and dances, worship that serves and gives and loves generously, worship that responds to God with all that it has for all that He is!
[tags : sembah worship hillsong reubanmorgan]
Worship with Chris Tomlin
Weeping may remain for a night, but rejoicing comes in the morning. Psalm 30:5
We tremble under the weight of news reports. We shudder as cultural pillars appear to be crumbling. Yet God’s commitment to all life remains unshakable. Rain washes dry roots. The sick experience healing. This is life’s resurrection by the hand of God: Dawn always breaks into morning over humanity’s dark night of the soul.
Inspired by the psalmist who describes God’s ongoing work as provoking new beginnings, award-winning singer/songwriter Chris Tomlin releases “See The Morning.” After 15 years of writing songs for the church, Tomlin’s new 11-track album shows joy remains possible even in the messiness of life. Praise to God is not just for life’s prosperous seasons-it’s a constant way of living with hope.
“See The Morning expresses the idea that God’s as faithful as the rising sun,” explains Tomlin. “Though your life may be shifting all around you and it may be dark, there is hope.” Chris cites empowering Biblical stories from Psalms, Exodus, Lamentations, Joshua, Isaiah and some accounts of Jesus’ miracles in the gospels to draw a resolute conclusion. “From these stories I’m inspired to notice morning as an incredible symbol in Scripture. Morning is brand new. It’s fresh. It’s new life. That while the darkness came and was for a while, light is breaking through into morning.”
“Thats the hope I want to help people grab with this album,” Tomlin says.
See The Morning started to emerge following the far-reaching success of Tomlins 2004 sixstepsrecords/ Sparrow Records release Arriving. That record delivered a call to the Christian church to pursue life-renewing worship, and it indelibly reinforced Tomlins distinction as the voice of todays modern expression of Christian worship. The songs breathed vitality into both corporate and devotional worship music, creating a ripple effect like nothing Tomlin had previously experienced.
Grateful for these opportunities, the accolades also bring Tomlin the added weight of responsibility and concern for the human condition.
The more I live, the more I see that life is not fair, the Austin, Texas-based musician says. Around the world, Ive been exposed to much poverty and sickness. I hear about what people are going through, and I realize that some are not as blessed as others. The world is full of discouragement. I think God wants to give us all great compassion for those…so I want to use my voice to write songs that serve as a reminder to people that Jesus life provides hope for us all. Not just in the good times, but in the bad times, as well.
Hebrews says, Therefore through Jesus let us continually offer a sacrifice of praise, the fruit of lips that praise his name and do not forget to do good and serve others, for which such things God is pleased, Tomlin continues. I hope this music serves others. With worship music there is a revival. The spirit of God grows in peoples hearts. To worship him is not only to sing our hearts out to God but also to love and serve people and to meet people where they are. Hopefully I can give voice to some songs that help people do just that.
Combining the artists strong signature hooks and accessible choruses with the production expertise of the award-winning Ed Cash, who also produced Arriving, See The Morning is imbued with a community spirit, as evidenced by the number of contributing songwriters. Tomin is joined by Cash and Matt Redman in the opening track that anchors the theme of hope, How Can I Keep From Singing, a rendition of the 1860 hymn by Robert Lowry:
How can I keep from singing your praise/ How can I ever say enough/ How amazing is your love
How can I keep from shouting your name/ I know I am loved by the King/ And it makes my heart want to sing
The album further features the high-energy Let God Arise as a rowdy, rambunctious track inspired by Psalm 68:1 and affirming that death does not get the final word over humanity.
You cannot play something titled Let God Arise as a ballad at 75 beats a minute, Tomlin laughs. We, as a band [Jesse Reeves (bass), Daniel Carson (guitar) and Travis Nunn (drums)] love to play loud and get people going. This is our rock and roll song. Often testing new songs like that one on the road and in churches before deciding to record them, Everlasting God, written by Brenton Brown and inspired by Isaiah 40, is already a staple chorus at Austin Stone Community Church, which Tomlin co-founded in 2002.
Closing the album is Amazing Grace (My Chains Are Gone), a new rendition of the classic hymn. I wasnt sure I wanted to mess with the most recognized hymn ever, Tomlin admits. But after researching the song, he discovered the famous John Newton hymn has withstood previous editors. Reviving an original verse that had lost popular favor over the years, combined with a new chorus co-written with Passion founder/director Louie Giglio, Tomlin rekindles a church standard for a new generation of worshipers.
My chains are gone/ Ive been set free/My God, my Savior has ransomed me
And like a flood His mercy reigns/ Unending love, Amazing grace!
As millions of people around the world are already singing his songs every week at collegiate gatherings, worship services, concert settings and as they sing along with radio, perhaps like the famous hymn from Newton, the songs of Chris Tomlin will live on in the hearts and through the voices of worshipers for generations.
I want to write songs that last more than a few weeks on the radio, Tomlin reflects. I feel like Gods given me a gift to write songs for the average person that help them communicate their feelings to God. And For See The Morning, and really all my songs, I hope they will be ones that bring people closer to God, so much so that they are sung long after I’m gone.
Artists in the Mainstream: Preachers, Poets & Prophets
C.S. Lewis, who authored such classics as “The Chronicles of Narnia” and “Mere Christianity,” once wrote, “What we want is not more little books about Christianity, but more little books by Christians on other subjects – with their Christianity latent” (”God in the Dock: Essays on Theology and Ethics”). Though the legendary apologist was referring specifically to books, the principle behind his comments may be applied to the realm of Christian music, and Christians in music.
For starters, consider the early history of the biggest rock band in the world. The year is 1982, and U2 is touring the U.S. in support of its second album, “October” (Island). Thanks to faith-evident songs such as “Gloria,” “With a Shout,” “Tomorrow” and “Rejoice,” music journalists are starting to confront the band with a loaded question: “What are you, a bunch of Christians or something?”
“It’s time to talk about it,” U2’s 19-year-old guitarist, The Edge, tells CCM Magazine’s Terry Mattingly during an interview at the time. “We realize the band … is at a crossing point. For a long time, we haven’t talked with interviewers about the fact we’re Christians, because it’s so easy for people to misunderstand. It’s easy for people who are not Christians, especially writers who do not understand, to take what we say and misinterpret it.”
As Mattingly writes in his CCM article (“U2: Rockers Finally Speak Out About Their Rumored Faith,” August, 1982), “The four members of U2 … are all scared of being stereotyped.”
Regardless, as Bono, the band’s 20-year-old singer and principal lyricist, explains to Mattingly, if critics want U2 to stop singing about the big subject or going after the deep emotion, they can forget about it. And if another group of folks wants the band to go after the “safe Christian subjects” and the “safe Christian crowd,” they can forget that, too.
Sound familiar? Here we are 25 years later and such sentiments are still being expressed – not just by U2, but also by The Fray, Switchfoot, Sufjan Stevens, Underoath, Mindy Smith, Flyleaf and a host of others.
So, how much has changed?
In today’s urban scene, artists like Mary Mary, Kirk Franklin and Smokie Norful are bridging the gap from gospel music to mainstream R&B. Rock acts such as Decyfer Down and Disciple are having their songs used by major media vehicles like the NFL. Major Christian artists such as tobyMac are seeing more than half of their total sales happening through mainstream retailers like Best Buy and Wal-Mart. Established Christian market acts such as Switchfoot and Relient K have moved from Christian labels to major mainstream labels, while other artists of faith like As I Lay Dying, The Fray, Sufjan Stevens and Thrice are not affiliated with the Christian market at all.
From major names to unknowns and indies, artists are stretching the definitions and challenging the preconceptions of what it means to be a “Christian artist” as they impact our mainstream culture more than ever before. It seems an alternate reality is developing for artists of faith – one beyond the binary “Christian or Secular” options of the past. “It’s time to move on,” according to Relient K’s Matt Thiessen. “It’s time for Christian music to bleed into everything else.”
Who We Are Instead
During a recent interview for essentialrecords.com, INO recording artist Derek Webb asked Jars of Clay’s Dan Haseltine the following:
“Do you feel that it’s useful – or even accurate – to be called a ‘Christian’ band these days? How might your feelings have changed over the years regarding a band being considered a ‘ministry’ verses a band making excellent and engaging art that simply represents their view of the world? Or are these categories really necessary at all?”
Suffice it to say, Haseltine’s responses to these and other related questions are thought-provoking. Check out the interview by visiting the “Artists” section at essentialrecords.com and selecting “Jars of Clay.”
Passion Takes It Higher
Holding out your truth in the darkest place.
We’ll be living for your glory.
Two banners slowly climbed toward the ceiling, joining memorials for Atlanta Hawks basketball greats. Faint in the banners’ background were the names of nearly 1,200 campuses represented in the audience.
We will burn so bright with your praise, O God,
And declare your light to this broken world.
In the banners’ foreground were names of the world’s great cities—Kuala Lumpur, Mexico City, Sao Paulo, Nairobi, Toronto. Finally, the spotlights dimmed, and black lights revealed S-H-I-N-E written down each banner.
Like the sun so radiantly, sending light for all to see,
Let your holy church arise!
Exploding into life like a supernova’s light,
Set your holy church on fire!
Based on the success of songs performed at previous Passion conferences, “Shine” may soon become one of the evangelical church’s most beloved songs. And it may be another reason this conference, like those before it going back 10 years, will set churches on fire.
Passion has not just shaped evangelical worship music, but a generation of American evangelicals. In the last few years, Christianity Today has reported on various trends among younger evangelicals—from new monastics to hip emergents to throwback Calvinists. Passion incorporates elements from each. None has yet marked the broader evangelical movement like Passion.
After 10 years of large crowds and larger influence (a few hundred more students attended Passion ‘07 than InterVarsity Christian Fellowship’s famed triennial Urbana conference), the leaders of Passion have decided to suspend the conferences—and take their message on a world tour. CT talked to Passion leaders and followers to discern what makes Passion so influential, and why it is suddenly changing direction.
More than 10 years of Passion conferences have imprinted Isaiah 26:8 on a generation of young evangelicals: “Yes Lord, walking in the way of your truth, we wait eagerly for you, for your name and your renown are the desire of our souls.” Isaiah 26:8 reveals the theology that guides Passion’s leaders, worship artists, and teachers. Passion promotes the sovereignty and glory of God. One reason for its success is clear: It has stayed on mission.
Louie Giglio’s gift for engaging and challenging college students was evident during the mid-1990s. He led a Bible study attended by 1,400 of Baylor University’s 11,000 students, he said. But Giglio grew alarmed by statistics that showed only 20 percent of American college students described themselves as born again. In 1995, he saw a vision of a massive gathering of students worshiping God. Less than two years later, he partnered with like-minded college ministers to host the first Passion conference in Austin, Texas. Passion conferences have reached more than 500,000 students since.
Few could have foreseen 10 years ago that Passion would eventually define a musical genre. What we consider modern worship music has stirred in churches for a few decades. In the early days, congregations requested songs like Keith Green’s “Oh Lord, You’re Beautiful” or Twila Paris’s “He Is Exalted.”
Due in part to the success of CD recordings of early Passion conferences, modern worship music boomed between 1999 and 2003. Christian rock artists churned out worship albums. The fad has since simmered. Yet Passion conferences have grown, and their albums continue to top Christian charts.
Recently, four songs written and performed by artists on Passion’s Sixsteps record label cracked the list of top ten contemporary worship songs used in American churches, according to Christian Copyright Licensing International. “How Great Is Our God” by Chris Tomlin took the number one slot.
Popular among college students for years, songs from Passion’s primary worship artists—Redman, Tomlin, Charlie Hall, and David Crowder Band—have exploded across age groups in the last couple years. “In some ways, Passion has put the words that people are going to say to God into the mouths of an entire generation,” said Taylor Dodgen, 21, a sophomore at Baylor University and worship leader for his church’s college ministry.
To be sure, modern worship music has its critics. They lament declining use of hymnals and declining musical and theological literacy. Others strain to hear Christian radio play anything other than relentlessly peppy, painfully repetitive praise choruses. But even many critics grant that Passion has set the industry standard for catchy songs that steer clear of cliché.
I caught up with Giglio on tour with Redman and Tomlin after Passion ‘07. Though weary of the worship wars, Giglio still defends the modern genre. “People have to remember when they’re sitting in church holding the hymnal that they’re looking at the top 100 hymns of all time,” Giglio said. “I think as the church emerges 200 years from now, the best of the best of these new songs will survive.”
Giglio, 48, especially resents charges that modern worship music neglects the hard times of life. He points out that Redman, who is British, wrote “Blessed Be Your Name” in response to the September 11 attacks. Redman composed “You Never Let Go” after his wife miscarried and terrorists bombed the London subway. Even his latest hit, “Shine,” meets college students in their difficult moments.
“You can only imagine some of the lifestyles and mindsets they’re encountering living on a college campus,” Redman said. “It’s into that environment that they shine with the radiance of Jesus Christ.”
For many years, critics have also landed blows against modern worship music for fostering individualism. Giglio hasn’t been deaf to such criticism, and he’s challenged Passion artists to resist the temptation. As Tomlin composed “How Great Is Our God,” Giglio exhorted him to exclude any verses about our relationship with God.
“If we keep saying it’s all about God,” Giglio said, “then every now and then a song will come along that doesn’t have anything about us in it.”
And if you keep calling your songs worship music, maybe that’s what you’ll get.
“You’re going to lean away from singing about church,” said John Piper, bestselling author and Minnesota pastor. Giglio has invited Piper to speak at every Passion conference. “You’re going to sing about God. You’ll look for stuff about God that awakens emotions and affections. You can go the intimacy route, which sounds like love songs. Or you can go the magnificence route, for transcendence.”
It’s no secret which direction Passion has taken. Russ Breimeier, online managing editor of Christian Music Today, leads worship for his Lutheran church in Chicago’s western suburbs. The congregation quickly catches on to Redman’s and Tomlin’s songs, but doesn’t consider them to be simplistic. “Writing worship songs isn’t an easy thing to do, and it shouldn’t be easy,” Breimeier said. “It should be the highest calling for songwriting.”
Churches and critics alike have rewarded Passion’s artists for their songwriting excellence. Last year, the Gospel Music Association named Tomlin its artist of the year and male vocalist of the year, and also awarded him song and worship song of the year. David Crowder Band has attracted thousands of die-hard fans with its experimental sound. Those fans voted the group MSN’s 2006 artist of the year, beating out the likes of Prince, Christina Aguilera, and Kenny Chesney. The most recent Passion live recording, Everything Glorious, hit number 69 on the Billboard Top 200 chart.
“There is not a marketing plan or publishing company around that can do what the Holy Spirit does with a song,” Tomlin said.
Popularity can corrupt, however. Tomlin told me consumerism is the greatest challenge facing modern worship music: For some fans and artists, the passion to hear fresh music has eclipsed the focus on worship. Tomlin himself has become, in the words of his record label’s press agent, a “superstar.” Indeed, reaching Tomlin and Giglio for interviews proved nearly as difficult as tracking down Washington’s top politicians. Senate leaders don’t call me back, because they’re so incredibly busy—busier than Giglio and Tomlin, I presumed. “Oh, I don’t know about that,” the agent said.
Tomlin laughed when asked about how he handles fame.
“I would never consider myself a worship superstar—nor do I know what that is,” he said. “I am a worshiper of the Almighty. That’s enough to keep anyone humble.”
Indeed, Tomlin strikes no one as preoccupied with the trappings of fame. “Chris doesn’t come off as someone who’s striving to be a star. Neither does Crowder,” said John Styll, president of the Gospel Music Association. “And people reward them for that and make them stars.”
Giglio has watched for more than a decade as evangelicals have heaped adulation on Passion teachers and musicians who direct them toward God.
“We’ve just come to peace with the fact that people are going to take pictures, they’re going to ask for autographs, they’re going to put their faces in magazines,” Giglio said. “That’s okay with me as long as every ounce, every little photon that hits them is reflected back to the author of it all and the center of it all.”
Audience screams went up in pitch when Beth Moore took the stage on the second day of Passion ‘07. No one who watches Moore teach ever forgets her. I left the press box and moved down to the floor just to watch her interact with the crowd. Intensity beams from her large, lively eyes. Even with an arena audience, she conveys a sense that she is speaking to each person individually. Memorized Bible verses flow readily off her tongue, building credibility with students. In her unmistakable Texas twang, Moore urged the students to “learn humility early.”
Moore settled into her true element during an afternoon breakout session with a couple thousand women. “I am here to mother you,” Moore said. “Can you handle it?”
The women wanted nothing more. Moore, bestselling author of Believing God and numerous Bible studies, does not shy away from sharing stories that range from silly embarrassment to serious sin. Her stories highlight insecurity and temptations that prey upon women.
“God is not a big us,” she said. “He will never fail us. God has no dark side. You are completely loved by someone you can completely trust, and girlfriend, it doesn’t get any better than that.”
If Passion’s speakers were a family, Moore would be the mother who doubles as your best friend. Giglio would be the fun uncle who offers reliable advice. John Piper, the demanding father, commands your respect.
Piper has never addressed a larger audience than the 40,000 students who turned out for a special Passion OneDay event in 2000. That sermon turned into his book Don’t Waste Your Life. Again at Passion ‘07, Piper delivered invectives against the American dream.
“You don’t want to be always sitting high in your SUV dropping nickels into other people’s dreams,” Piper told the Philips Arena audience.
Giglio doesn’t offer his platform—for teaching or singing—to anyone outside the Passion family, to anyone he doesn’t know well. Piper has spoken at all 11 Passion conferences; Moore, at all but the first. Giglio considers himself an inspirer, not a teacher, so he leaves that mostly to Piper and Moore.
Giglio gives them a theme passage from Scripture but does not tell Moore or Piper what to teach. Yet they wouldn’t be invited if they didn’t share Giglio’s vision to push the supremacy of God to the forefront. And Giglio does require one intangible from Passion’s speakers—”the look.”
“College kids have a sixth sense,” Giglio said. “They buy stuff based not on what they hear but what they see. They’re looking in our eyes long before they’re listening to what we have to say. They’re looking for some validation in our eyes: ‘Are you really locked into what you’re saying?’”
Piper and Moore have the look. As a result, they can get away with delivering hard teaching. They don’t labor for new ways to reach a postmodern generation. They just deliver sharp challenges drawn from God’s Word. Who would think a generation raised on self-esteem would turn out again and again to hear “God is big, and you are not”?
“We’re the generation who likes things raw and uncut and really in-your-face,” Taylor Dodgen explained to me. “It’s almost like reverse psychology. [Piper's] not doing it for shock value, but he almost elicits that same response. He’s saying the gospel without any sort of sugar-coating, with very few illustrations, and it’s hitting home.”
Loud music alone wouldn’t hit home. Theology delivered without zeal would miss the mark.
“Too long we have preferred theology to passion or passion to theology,” Piper said as we talked after his breakout session. “I like Passion and Louie Giglio and have been here 11 years because I believe in the potential to get it together. Most of these students have never heard anyone plead with them to think hard, go deep, get a theology, and jump up and down with David Crowder.”
On the lowest level of the massive Georgia World Congress Center, I grabbed a “passport” and walked through the Go Center. Ministries domestic and international posted their needs. Causes asked for help. But this was no conference free-for-all. Organized not by ministry displays but by regions of the world, the Go Center directed students toward opportunities to channel their passion into action. “Guides” matched students with ministries that fit their preferred region, evangelism style, and commitment level. This part of Passion doesn’t get much attention, but it may have the most significant impact over time.
Passion permitted between 35 and 40 ministries to join the Go Center. These groups included Campus Crusade for Christ, the Southern Baptist Convention mission boards, Frontiers, and International Teams. Another 50 did not make the cut, according to Mark Szymanski, a Go Center guide who works for United World Mission. Szymanski said Passion invites ministries that coach students, not recruit them.
Tucked in a corner of the Go Center, students viewed Scripture verses posted on walls as they prayed that God would spread his gospel. Toward the back, the Stop the Traffik coalition urged students to sign a petition against human trafficking that they would deliver to the United Nations. Cure International raised money for South and Central American youth whose families can’t afford much-needed surgery.
On the conference’s first day, Giglio challenged students to contribute $500,000 toward various evangelistic and social justice causes. On the last day, he told the crowd that they had:
• Sponsored 14 students to attend college.
• Packaged 4,000 Bibles bound for China.
• Funded 100 surgeries for children.
• Signed 2,500 petition cards opposing sex trafficking.
• Provided funds for 38 wells in Africa.
• Pledged $65,000 for a new community center in Iraq’s Kurdistan region, with 150 students committed to praying about working in the center for one year.
The audience jumped to their feet when Giglio announced that their giving would enable the Seed Company to translate the Bible for an Indonesian language group.
All in all, the students gave or pledged $700,000, even before the conference took its only offering. That additional $256,000 would be earmarked for Passion’s worldwide tour.
Giglio gets big results from college students in part because he expects them. These students will “figure out how to see The Fray in a couple weekends. The tickets are $39.95, and they’ve got a two-hour drive to Cleveland,” Giglio said. “I lived on a college campus for 11 years working with students. They may not be the richest people in the world in Western terms, but they are very resourceful.”
Passion’s link between worship and missions harks back to evangelical movements like the Moravian Pietists, the continental Europeans from the 18th century who so impressed John Wesley with their fervent prayers and singing. They called for spiritual renewal and promoted worldwide evangelism. When I asked what historical movements inspire him, Giglio mentioned the 19th-century students who organized the Haystack Prayer Meeting and spawned global missions in America.
“God may love a well for a village in Africa way more than hearing us sing ‘Holy Is the Lord’ one more time. That puts meaning behind the $3,000 well,” Giglio said. “It’s the redeemed making God happy, because we’re doing the thing he wants most.”
Moments before Passion ‘07 closed, Giglio announced there would be no Passion ‘08. Passion may someday return to the United States, but not next year. It’s not that Passion has peaked. More students showed up in Atlanta than for any other Passion event but OneDay 2000. Passion outgrew the Nashville venue it had used the two previous years. Giglio told the students, most of whom come from the South, that many of their campuses already have the resources to share the gospel with every student. Following a tour of U.S. regions less saturated with the gospel, Giglio will take his show around the world.
For years, Giglio has heard from students in Singapore, Indonesia, Ireland, South Africa, Norway, and everywhere in between who wanted Passion to visit them overseas. And for years, Giglio couldn’t find the time to fly back and forth between his Atlanta home and far-flung cities. But then he caught a vision for a world tour. Why fly back and forth when you can just hop from country to country?
Giglio’s new plan thrills students like Kristoffer Stokke. He decided the week of Passion ‘07 to fly from Norway to Atlanta. DVD recordings had introduced him to Passion. A few years ago, Stokke, 21, started a Christian youth event, Get Focused, which draws Norway’s small faith community together to reach their nation. A group that started with 200 has grown to 1,500 in difficult spiritual terrain. Stokke traveled to Atlanta to see if Passion’s messengers lived out their messages.
“Their credibility has grown even more,” he told me after spending time with some Passion leaders. “When you see a message about glorifying God, which is big words, being lived out in practical ways in the way they behave, the way they talk to each other and interact, the way they use their money and time, that makes their credibility grow.”
Where exactly will Passion stop on the world tour? Giglio isn’t sure. Nor does he know who will join him for the journey. He doesn’t regret suspending the U.S. event, because he never planned to run conferences for the rest of his life. He wants Passion to be a catalyst, not an institution.
Who can doubt him? Giglio’s audacious vision for a worldwide tour has followed a natural progression: first one campus (Baylor), then the nation’s campuses (Passion), now the world. As church history has shown in the Pietist and missions movements, a God as big as the one they worship at Passion can do anything.
Worship, the Trinity, and Peanut Butter & Jelly
What can a peanut butter and jelly sandwich teach us about the Trinity and about authentic worship? Maybe just that the Christian life is a life of balance and self-control perfectly blended into an active and growing faith in God as Father, Son, and Holy Spirit!
My daughter, Aly, won’t eat peanut butter and jelly sandwiches much in the summertime. I’ve noticed for the last couple of years that she almost always turns them down during the months of June, July, and August, which was a minor mystery to me until I realized one day that she’d probably eaten about 270 of them from September to May!
I’ve never heard her complain about having PB&J sandwiches in her lunches for school, but she seems to quietly boycott them through the summer months. Maybe she’s doing it just to balance out her intake quota for the year. Maybe she just knows intuitively that there’s only so much PB&J a kid can take before the jelly turns every internal organ to pure grape-flavored glucose and the peanut butter permanently sticks her tongue to the roof of her mouth. Smart girl, that Aly. She’s already practicing the disciplines of balance and self-control in her life, even if it’s only by monitoring the number of peanut butter and jelly sandwiches that a kid should eat in any given year. I should probably take a few lessons from her and learn to practice more balance and self-control in my life, too, and I ain’t talking about sandwiches!
Authentic worship in all of its forms is at its best when practiced with balance and self-control, as well. A common caution heard throughout our churches is that we must never “worship the worship” no matter how good it gets and this amounts to a call for balance and self-control, individually and corporately.
We’ve probably all heard of churches going so far as to split over worship styles and worship expressions when someone or some element in their worship has gotten out of balance and “gone off the deep end” so to speak. It’s easy to do, really, to get out of balance on some things, especially if there’s no clear doctrinal statement about worship and its practices in your church. In my Worship4Life Weekends, I always spend time encouraging the local pastors and worship leaders to identify the particular beliefs and expressions from the Bible that they adhere to in their church and to actually write out a unifying theology of worship for everyone to read and to understand as the guiding document for worship practices.
Without stating out loud or writing down what you believe as a church about worship you create a vacuum that others will be happy to fill for you. When this happens, worship wars begin and the balance and propriety of worship that Paul talked about in 1 Corinthians 14 can be lost. Come to think of it, a PB&J isn’t a bad analogy for the balance we seek in worship, or even for understanding that the goal of worship in its fullness is to the Father, through the Son, and by the Holy Spirit.
The Bread
The baking of bread is an ancient art. The ruins of Pompeii reveal the highly developed bakeries that existed thousands of years ago. One of the oldest professional guilds still in existence in London today is called The Worshipful Company of Bakers which has existed for over 800 years now. The original company of bakers who formed this guild worshiped together and formed their guild from the close relationship they shared in the church.1 Bread-baking goes back even further in time, of course, as one of the first arts to develop beyond man as cave-dwelling hunter-gatherers. Some sources even credit the growing of grain as the beginning of civilization itself.2 But regardless of where it all started, bread is a daily part of our lives and quite useful in many ways.
Bread is mentioned in the Bible over 300 times 3 and was used by Jesus on several occasions as a metaphor or teaching example. He taught His disciples to pray, “Give us this day our daily bread” (Matthew 6:11) and He called Himself “the Bread of life” (John 6:35). The resurrected Jesus appeared to the disciples on a lonely stretch of beach in the early morning, granting them a great haul of fish (they had caught none so far that morning) and cooking for them a breakfast of fish and bread (John 21). Bread itself is a unique concoction of flour, water, sugar, salt, and yeast and people have argued for centuries over whether white or wheat is better.4 For our analogy of a PB&J, though, I see the bread as being kind of like the Father – He’s holding everything together! The peanut butter and jelly wouldn’t make much sense without the bread, just like Christ lives in us by His Spirit to the end that we worship the Father. The entire chapter of John 17 is a beautiful picture of the communion between the Father, Son, and Spirit where Jesus prayed for us “that they may be one as we are one” (v. 22).
The Peanut Butter& Jelly
Skipping for now the historic and scientific background of peanut butter and jelly (I like grape, in particular), most of us recognize that they go perfectly together on a PB&J. Whether you like crunchy or smooth, grape or strawberry, this sandwich is a favorite for kids and grownups alike. This sandwich was popular in WWII rations for soldiers, actually, and the GI’s wanted to continue eating them after the war ended. Some food makers even put the peanut butter and jelly together in the same jar, but I’ve never liked that idea – I prefer to spread them on the bread myself, the jelly on one slice and the peanut butter on the other – what a moment when they come together! If you can make a huge theological and metaphorical leap with me here, I kind of see this as a way to think about how God possesses an amazing oneness in Himself as the Trinity of Father, Son, and Spirit – when you envision them as the simple elements of a PB&J, they work perfectly together! Of course, it isn’t that simple, but hey – Jesus used some pretty simple things like seeds and birds to convey deep spiritual truths to His followers, too.
A.W. Tozer wrote in The Knowledge of the Holy, “The Persons of the Godhead, being one, have one will. They work always together, and never one smallest act is done by one without the instant acquiescence of the other two. Every act of God is accomplished by the Trinity in Unity.”4 It is difficult for us to imagine how efficient this unity is in God as One in Three, Three in One. Tozer goes on to stress the importance of faith when it comes to embracing the Trinity as a biblical concept and doctrine. He warns of the danger of assigning specific roles to the Father, Son, and Spirit, though each, in fact, manifest or reveal themselves in specific ways at specific times. The important thing to remember is that they work in complete communion and community with each other, fulfilling perfectly God’s unified plan and will for mankind, kind of like a PB&J – it’s just terribly difficult to separate them once you’ve got them stuck together!
In Conclusion
So, what does a PB&J teach us about authentic worship and the Trinity? Probably nothing, really, but maybe the silliness of the analogy will make some of us think a little deeper about them. Important thinkers and writers like Brian McClaren have been calling for more songs and artistic expressions of the Trinity in the last couple of years and it seems as if God is beginning to emphasize His threeness in oneness these days in articles, books, and songs. If we ignore the doctrine of the Trinity in our songs, as worship leaders, I believe that we’re doing our congregations a disservice.
Some of the old hymn writers knew the value of the doctrine and wrote songs like Come, Thou Almighty King and Holy, Holy, Holy, but there is still not a large number of hymns about the Trinity. The ones we have we should use and those who can write must write more important hymns and choruses that help us to embrace the unique ministries of Father, Son, and Spirit. Perhaps, then, we will achieve a balance in our intake quota of great doctrine in song just like Aly and her PB&J’s. Smart girl, that Aly!
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